[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text]Producing a large-scale sculpture in the Nevada desert involves challenge far beyond shipping and materials setbacks — it’s difficult to stay focused when the cars painted like fish and topless women on bicycles keep passing by. “Everything...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text]Well I guess it is nice to have your work pictured on the front of the NYTimes Art Section. Captioned “art” this image ran alongside a fairly irrelevant article about how Burning Man isn’t perfect. The kind...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text]WORLD SCULPTURE NEWS AUTUMN 2003 THE UNITED STATES Temple of Gravity The Temple of Gravity, a rock and steel sculpture designed to explore its relationship to the force of gravity and installed in Nevada’s Black Rock Desert as part of the...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] In an Industrial Boneyard, Artists Use Steel and Ore to Produce, Well, Art The New York Times Wednesday April 19, 2000 Page 3 By Thomas Spencer BIRMINGHAM Ala. It is an oddly appropriate spot for an artists’ colony, in the hulking shadows of...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text]In Juxtaposition with Inertia Zach Coffin’s huge sculptures do what you’d least expect—they move black & white April 30, 1998 Page 42 By Ned Oldham Zach Coffin is working on a fountain for his upcoming show at the Birmingham Brewery. It’s a half-ton...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Looking, touching: Coffin’s sculptures a rare treat The Birmingham News Sunday, March 30, 1997 By James R. Nelson Industrial Jungle, three sculptures by Zachary Coffin, The Birmingham Museum of Art, The Charles W. Ireland Sculpture Garden, Through Fall 1997.A work of...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Man Of Steel Sculptor Zachary Coffin black & white March 1997 page 42 By Alison Nichols When Zachary Coffin begins talking about his work, he runs the gamut of description from Eastern religions, to the plight of the working class, to the properties...